This cover art has always inspired me. It was a collaborative effort; Production Illustrator Jim Martin designed the art, executing it in a series of progressive pencil sketches. The art was subsequently turned over to freelancer Mikido Uesugi and John Knoll.
Here is my version again using GrahamTG space art and Asteroids..
A number of renderings I made after altering the Series Constitution Class to look like both Pilot designs The Cage and Where No Man has Gone Before, and playing with lighting and Ali Ries Background nebula art (used with permission), I also made use of my TOS version of the Dry Dock, I also gave the USS Constitution a NX desigination and had to tweak its placement.
I also tried to create a poster for The Cage, mixed results but fun exploring the process.
Its been a while since my last post with my rebooted or reworked Enterprise but also my PC had another fit and I was compelled to reinstall Windows, by slow steps I have reinstalled Lightwave at the last and finished the few details I had to work out on the rebooted constitution class.
I had to adjust the hangar deck height. it was too low for the deck plan I was using, I also worked out the gallery observation area and its corridor to the control booth though I did not build the corridor itself..
I never found credit to the shuttle model builder, no readme was included in the file.
The shuttle model builder is Aggi from Foundation3d
Its has been a few weeks since my last post, I was on my holidays, arrived back a few days ago, and as it takes me a few days to even return to 3D and remembering my plans for this design to find to my mild annoyance that I was not paying as much attention to the results as I should have, so I had to go in and clean up parts of the model, esp around the hangar bay.
I have placed all the windows and are arranged as I like them the most and I think retains a lot of the original look..
I dusted of my U.S.S. Enterprise model and with a nice background image by dadrian on deviantart. A much needed break from my own designing, my appreciation for concept artists has grown to such heights, how the likes of Syd Mead, Doug Drexler, Rick Sternbach, do it I cannot say.. But I applaud their work all the more.