Its been a while since I last rendered with the Liberator from Blake’s 7, but as I like GrahamTG background art so much I though the design would look very well indeed with it.
It has been a frustrating week or so with my computer throwing a fit, I was in the middle of finished 2 projects when disaster struck, result I was forced to reinstall windows and all my programs, Lightwave3D etc what a drag, it really interferes with my creative vibe.
It was fortunate I have a backup drive that saved my most recent work and it took only a few hours to rework what I was doing, my present project list is to finish the Civil Administration ship London from Blake’s 7 and the Liberator DSV.
I have also just finished a reworking of the Nautilus internal plan I created some time ago, franking I was burnt-out working on that design I had to just leave it and work on something else, anything else, hence the Blake’s 7 models.
Civil Administration ship London
Both designs are on the back burner for now
I have being working a little more on the London’s internal layout, and for the most part I think I have it more or less worked out to my satisfaction, the only area that I cannot match up to the screen shots is the Airlock, it look like this section is placed on the wrong side of the London, where the London Airlock is on the Port-side
Commander Leylan enters the Airlock section, I am assuming he is entering from the forward section which places the hatch on the Starboard side of the ship, where as the model has it placed on the Port-side aft.. so I am using creative licence and making this change.
None the less for viewers who have never seen Blake’s 7 this means absolutely nothing 🙂 perhaps its over thinking on my half but given that Star Trek and other shows get a lot of attention, this is refreshing and open area to explore. Its not a big deal, viewers back in the day did not look this closely at TV shows, its a more recent interest I think sparked of by Star Trek technical manuals and the desire to know how things work. but only my opinion
As with most of my CGI-model work, I like to figure-out the best scale for the fictional design, especially if its never been fully stated, and I have never found a scale in most Science fiction series that work under close examination or even consistent, when using CGI which makes the process much easier to visualise I can try to establish a working scale.
The Liberator has always been something of a mystery when it comes to scale, its a question most fans ask and like I did for the Battlestar Galactica a few years ago, I have turned my attention on Blake’s 7.
My approach is to work out a possible scale starting it the Civil Administration ship London was the prison ship that was transporting Roj Blake and the others to Cygnus Alpha, a prison Planet where such people would be dropped via space craft and left to fend for themselves, no guards and no hope of getting off world, once drop there, prisoners would wait in a holding cell and only after the London blasts off into space would the gates be opened and releasing into a very doubtful future, its not helped by the fact that prisoners descendent that have lived there have formed a community rules by a megalomaniac, played by Brian Blessed of Flash Gordon “Alive” fame.
The only really guide I can use on the model is the side docking ring, which I have posted in the past. but then there is no harm posting again.
While this was useful and the docking hatch is very useful as a guide, I still needed to play with the scale to fit other aspects from the London sets, so at best compromises where needed, these are my results, (I am not going to say final, it never ever works out that way). For those of you who have never watched the show, this means absolutely nothing, but to help visualise what I am trying to do is fit the live action and sets with the miniature, which is at best difficult and next to impossible.
This is a character called “Nova” , its sounds scifi so it must be good. anyway he volunteers to follow a key character called Avon to the Computer room so they can take over the ship, and meets a sticky end, basing on the direction he takes I have placed the computer room at the rear of the ship.
01. Nova has entered the access tunnel and drops down and heads aft
02. Nova has reached the intersection
03. Nova is looking “up” into the new tunnel
04. Impacts on the hull surprises Nova
05. Air pressure changes
06. Nova tries vainly to block the holes with his hands
07. Foam nozzles activates
08. Fear as he knows well that the foam will trap him and solidify entombing him.
09. Nova looks to go up the intersection tunnel to escape
10. The Intersection hatch closes
11. Nova looks for other route of escape
12. No escape
13. Foam erupts from nozzles
These plan views of the London are my attempt to show how things could be arranged and how I am now using a over all length of 49 meters or 160ft for the London which will also effect the over all length of the Liberator
Recently I have returned to an old design favourite, the Liberator DSV or Deep Space Vessel design from the classic BBC TV series Blake’s 7 from 1978. There is, like most TV shows that features space-ships designs, there is a question of scale.
The early guess work and fan imaginations was that the Liberator would be between 300 meters or 1000 meters long, I liked it at the lower end more around 300 meters.
So I set the scale of the Liberator too 300 meters first and was happy with the result, (ignore the windows scale on the Liberator, they were added by me in an attempt to update the look of the design) but as someone pointed out, the Prison-Ship London should be taken into account.
How big is the London, well after a time a friend had converted Cyberia23 Model of the Civil Administration ship London by Cyberia23 to Lightwave3d and seeing what I was doing, sent me the file too help, saving me the trouble of converting it myself.
This is the results I got, it is much larger than I expected. but its is conjecture and could be off by quite a lot.
Currently I am rebuilding the Liberator, a welcome break after the Nautilus, London Mesh build credit to Cyberia23